May 24, 2017 “Cinema lost one of its pre-eminent pioneers when Abbas Kiarostami died on July 4, 2016,” writes Giovanni Marchini Camia at the Film Stage, where he notes that 24 Frames “was as good as finished” at the time of his passing....

May 20, 2017 “Custody of a white horse is one of several bones of contention between Bulgarian locals and visiting German laborers in Valeska Grisebach’s Western, a dispute that takes on the most classic symbolic dimension of the traditional oater,” begins Guy Lodge...

Apr 6, 2017 Repertory PicksOn Sunday evening, Alfonso Cuarón’s sultry road movie Y tu mamá también (2001) will roll into the Wilmette Theatre in Wilmette, Illinois. After helming two Hollywood productions that focused on the process of growing up—an imaginative adaptation of the...

Aug 1, 2016 Back in January, veteran actor Keith Baxter stopped by the Criterion offices for lunch and regaled us with memories of his experience working with Orson Welles.

May 17, 2016 For decades, celebrated Italian film composer Ennio Morricone has been lending his musical talents to directors from Pier Paolo Pasolini and Sergio Leone to Terrence Malick and Quentin Tarantino. In the latest installment of the Guardian’s weekly This Much I...

Nov 23, 2015 Our new release of Dont Look Back, D. A. Pennebaker's groundbreaking behind-the-scenes portrait of Bob Dylan and his famed 1965 tour, is out tomorrow on DVD and Blu-ray and features a new interview with celebrated artist Patti Smith, a lifelong...

Oct 7, 2015 It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...

Sep 14, 2015 It is a sad day at Janus Films and the Criterion Collection, as we lost our cofounder, William Becker, on Saturday. This New York Times obituary is a fitting celebration of the life of this extraordinary man, a great lover...

Aug 25, 2015 In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.

Feb 3, 2015 Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.

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