The Criterion Collection
Jan 2, 2013 — Performances Hirokazu Kore-eda’s Still Walking is an exquisitely lived-in portrayal of family life. It takes place largely over the course of one day, at the home of the aging Yokoyamas, Toshiko (Kirin Kiki) and Kyohei (Yoshio Harada), as they welcome...
Short Takes
Dec 18, 2012 — With the stage musical Les Misérables coming to the big screen in one of Hollywood’s most anticipated releases of the holiday season, it seemed a good time to remind you about Raymond Bernard’s extraordinary 1934 cinematic adaptation of Victor Hugo’s...
Dec 11, 2012 — The climate change expert discusses how Godfrey Reggio’s films presaged widespread concern about global warming and warned about the dangers of consumerism.
Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.
Dec 11, 2012 — Cinema is both an educational tool and a vessel for kinetic, avant-garde expression for filmmaker and activist Godfrey Reggio.
Sneak Peeks
Dec 6, 2012 — Today, Brazil is a widely, feverishly loved film, but once upon a time it had its share of detractors—specifically, those who financed it and released it in the U.S. In the documentary The Battle of “Brazil,” critic Jack Mathews charts...
In Theaters
Dec 6, 2012 — Repertory PicksSeattle’s Northwest Film Forum is offering a Stan Brakhage showcase tonight. The avant-garde legend’s widow, Marilyn Brakhage, and preservationist Mark Toscano will appear in person to accompany a program of four 16 mm films in Academy Film Archive restorations....
Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...
Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.
Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.