Today, Brazil is a widely, feverishly loved film, but once upon a time it had its share of detractors—specifically, those who financed it and released it in the U.S. In the documentary The Battle of “Brazil,” critic Jack Mathews charts director Terry Gilliam and producer Arnon Milchan’s struggles to get Universal to put out the filmmaker’s cut, which the studio found too dark and difficult (marketing division president Marvin Antonowsky suggested it was more of an art-house specialty film than a mainstream movie). Here, in a clip from the documentary, which is available in full on our special edition of Brazil, Gilliam and Milchan describe the first important—and disastrous—screening for the execs.
How Hitchcock Pulled off a Shot for the Ages
Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.
A World-Cinema Master Gives the World One Last Look
After his father’s death in 2016, Ahmad Kiarostami helped complete the conceptually daring meditation on image-making the great Iranian director had been working on for the last five years of his life.
Euzhan Palcy Remembers Brando’s Nerves on the Set of A Dry White Season
Marlon Brando hadn’t been in a movie in almost a decade when he took on his Oscar-nominated role in A Dry White Season. The film’s director talks about the pleasures of collaborating with the legendary actor.