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Oct 16, 2012 — Hiroshi Teshigahara’s Antonio Gaudí is one of the most sensual films ever made—and there are hardly any people in it. In this poetic documentary—available to stream for free this week on Hulu as part of our Cityscapes festival—the Japanese avant-gardist responsible for the...

Oct 16, 2012 — After breaking out with Maria Full of Grace, filmmaker Joshua Marston visited a strange new land with persistent and deadly traditions.

Oct 15, 2012 — The feral first three films by Norman Mailer, available in our thirty-fifth Eclipse set, may look primitive, but Mailer had some of the best filmmakers in the business on set to help him out, including verité pioneers D. A. Pennebaker...

Oct 12, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

Oct 11, 2012 — On October 11, 1987, David Mamet’s first film, the diabolically tricky House of Games, made its U.S. premiere as the closing-night selection of the New York Film Festival. Mamet had already conquered the world of theater, winning a Pulitzer Prize...

Oct 11, 2012 — Repertory PicksBAMcinématek in Brooklyn is looking back to the nineties for a celebration of the period in American and British independent cinema when a wide array of gay and lesbian artists built their own movement. The series Born in Flames:...

Oct 10, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

Oct 10, 2012 — Among Kurosawa’s films set in the twentieth century, Ikiru—which you can watch for free on Hulu this week—is probably the most widely seen and beloved. This soul-searching morality tale concerns Watanabe (the haunting Takashi Shimura), a widower and city worker...

Oct 9, 2012 —

Oct 9, 2012 — British wartime audiences ate up these rule-breaking costume pictures—entertainments for a populace seeking escapism.