Perfect Timing

Sneak Peeks

Jun 24, 2013 The most iconic gag of Harold Lloyd’s career—and one of the most indelible images of all of silent cinema—is the limber funnyman dangling from a clock on the side of a high building in Safety Last!. It is the centerpiece...

Jun 21, 2013 Did You See This?• Lunching with Orson Welles • The doyenne of the New Queer Cinema is back. • Matt Zoller Seitz remembers James Gandolfini. • Television’s new golden age is a man’s world. • Kicking back with Dad •...

Jun 20, 2013 The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.

Jun 19, 2013 In a new supplement recorded in 2013 for the Criterion Collection, we catch up with Magda Vášáryová, who was a teenager when she played the title character in František Vlácil’s Czechoslovak New Wave landmark Marketa Lazarová. In this clip from...

Jun 17, 2013 The author introduces a new Current series that will feature his reminiscences about his encounters in international cinema circles over the past five-plus decades.

Jun 11, 2013 Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.

Bresson’s Big Break

In Theaters

Jun 6, 2013 Repertory PicksOne doesn’t necessarily think of ascetic cinema master Robert Bresson as an action director, but he undoubtedly made one of the most elegant and suspenseful prison break movies of all time. His 1956 masterpiece A Man Escaped, based on...

May 31, 2013 Did You See This?• A rare Hitchcock photo film • Fitzcardboardaldo—the title doesn’t do it justice. • A tip of the hat and a fist in the pocket to Lou Castel • Richard Linklater and James Benning together at last—with...

May 29, 2013 The beginning of Mike Leigh’s new audio commentary track for Criterion’s release of his poignant domestic comedy-drama Life Is Sweet is just too charming not to share here. In these first few minutes, which span the film’s opening credits, the...

May 28, 2013 Mike Leigh’s breakthrough is a funny film about serious things, and an emotional and slyly political take on consumer culture.

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