The Criterion Collection
Essays
Feb 19, 2001 — Leaving the theater after the tumultuous world premiere of Do the Right Thing at Cannes in May of 1989, I found myself too shaken to speak, and I avoided the clusters of people where arguments were already heating up. One...
The Daily
Apr 9, 2026 — Film at Lincoln Center and the Museum of Modern Art introduce New Yorkers to some of the most exciting new voices in cinema.
The Daily
Dec 17, 2024 — Sundance, Rotterdam, and Berlin roll out more lineups for what promises to be a season of uncertainty.
The Daily
Aug 3, 2023 — Reubens’s man-child creation was the role of a lifetime, but filmmakers were eager to have him show us his real range.
May 23, 2023 — In one of her most moving explorations of youth, Céline Sciamma offers the gently radical and reparative chance for a mother and child to share a perspective.
May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...
Tech Corner
Oct 2, 2020 — The Lady Eve, from 1941, is my favorite of all of Preston Sturges’s comedies. I would wager to say that it’s Barbara Stanwyck’s best performance, though I also love her in Double Indemnity and Forty Guns. Heck, I love her in everything she’s in. But...
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...
Sep 27, 2018 — A look inside the process of collaborating with Terrence Malick on the new cut of his 2011 masterpiece.
The Daily
Jul 24, 2018 — Yorgos Lanthimos will open the NYFF, and Claire Denis’s High Life will be among the world premieres in Toronto.