Inspiration

Oct 23, 2018 — The complicated bond between a pair of identical twins takes center stage in the stylish short film An Act of Love, now playing on the Criterion Channel on FilmStruck.

Oct 2, 2018 — The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.

Jul 26, 2018 — Sergei Parajanov’s mesmerizing take on the life of poet Sayat-Nova plays in a free screening in Los Angeles this week.

Apr 11, 2018 — Sabzian alerts us to two new images from Jean-Luc Godard’s Le livre d’image posted by Casa Azul Films, which tells us that we can expect the film some time this year. Ioncinema’s Nicholas Bell is hoping to see it in...

Apr 6, 2018 — Angela Schanelec’s films “represent the most innovative use of ‘conventional’ editing in narrative cinema since Pialat who, along with Bresson, has been a clear influence,” writes Michael Sicinski for the Notebook. “Schanelec’s contribution is what we might call the ‘epistemological...

Feb 14, 2018 — Until the Oscars are presented on March 4, it’s not yet too late to be looking back at the best of 2017. The Village Voice has polled over a hundred critics, and Phantom Thread has come out on top with...

Feb 2, 2018 — New York. First, we look past the new few days with a few lineup announcements. EW’s Clark Collis reports on Pacino’s Way, a retrospective of over twenty-five films, “the majority screening on 35 mm prints,” that will run at the...

Dec 27, 2017 — Over the past couple of weeks, we’ve lost some writers who’ve made unique contributions to film criticism. At Film Studies for Free, Catherine Grant has posted an entry in memory of “radical film and media scholar” Chuck Kleinhans. “Along with...

Dec 5, 2017 — Our biggest box set ever has arrived! Explore a century of iconic moments in modern sports with our monumental collection of fifty-three Olympic films, now available on Blu-ray and DVD.

Dec 5, 2017 — First, the bad news. “Every Frame a Painting is officially dead,” announce Taylor Ramos and Tony Zhou. “Nothing sinister; we just decided to end it, rather than keep on making stuff.” As Catherine Grant, professor of Digital Media and Screen...