The Criterion Collection
The Oscar-winning director of Amy talks about how Do the Right Thing became a major influence on his work, the overwhelming tension of an infamous scene in Code Unknown, and his love of Ken Loach’s early work.
Criterion Designs
Jan 28, 2016 — The film is is a high-water mark in the careers of its director, actors, and cowriter. But for design nerds, the contributions of Pablo Ferro, who designed the film’s iconic opening credit sequence, are just as notable.
When the English director visited Criterion for a screening of his film 45 Years, he was joined by the movie’s star. And when the pair took a trip into the Criterion closet, their charming closeness was evident.
The Oscar-winning writer-director of Anora shares his father’s favorite film, pays tribute to Chantal Akerman, and looks forward to revisiting Yi Yi.
The Paris-based Argentine filmmaker selects a few films that align with his interest in cinematic provocation, including unsettling works by Shohei Imamura and Pier Paolo Pasolini
The artist, musician, and director of Heart of a Dog shouts out Guy Maddin as one of her favorite filmmakers, praises the first scene in Sunday Bloody Sunday, and can’t resist Pier Paolo Pasolini’s Trilogy of Life.
May 29, 2014 — Christopher Hobbs is a production designer whose work includes Derek Jarman’s Sebastiane (1976), Caravaggio (1986), and Edward II (1991); Terence Davies’s The Long Day Closes (1992) and The Neon Bible (1995); and Todd Haynes’s Velvet Goldmine (1998). He says that...
FYI
Jan 1, 2014 — This January 1, we present a red and black sketch to keep you guessing for the year ahead.
Genevieve Yue is an associate professor of culture and media at the New School and the author of Girl Head: Feminism and Film Materiality (2020) and Trains (due out in fall 2026).
Lynn Anthony Higgins is the Edward Tuck Professor Emerita of French Studies at Dartmouth College, where she is also affiliated with the Film & Media Studies Department. She is the author of Bertrand Tavernier (in Manchester University Press’s French Film...