The Criterion Collection
Essays
Nov 17, 2020 — Consider Jim Jarmusch’s Ghost Dog: The Way of the Samurai (1999) as a very promiscuous romance picture above anything else—even if not all of its many objects of affection are what you might call properly human and there is no...
The Daily
Jul 7, 2020 — The renowned composer of well over four hundred film scores was equally at home in avant experimentation and tear-jerking sentimentality.
The Daily
Jun 24, 2024 — Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.
May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.
Production Notes
Jan 28, 2022 — 1. In 1995, director Lars von Trier contacted Thomas Vinterberg, whom he considered the most promising young Danish filmmaker. (Vinterberg had then not yet made his first feature film, The Biggest Heroes, but had directed two well-regarded shorts, Last Round...
The Daily
Jul 30, 2021 — First: conscious neglect and budget cuts are threatening cinema’s legacy. Then: this week’s highlights.
The Daily
Oct 19, 2017 — Even as we mourn the loss of Danielle Darrieux, we need to remember a few more names and faces that have left their marks on cinema, and we begin with French actor Jean Rochefort. “I am absolutely stunned,” writes Terry...
Jan 25, 2010 — Unlike the more aesthetically and intellectually conceived French New Wave, Italian neorealism was above all an ethical initiative—a way of saying that people were important, occasioned by a war that made many of them voiceless, faceless, and nameless victims. But...
Oct 15, 2019 — The witch has a long history in Western cinema. Nowadays, we tend to associate her with horror, but early depictions resist easy categorization. She appeared in American silent films as early as 1908 (in a short called The Witch). The...