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Winter Light

Jan 30, 2023 Celebrate Black History Month with a collection of films that survey African American history on-screen, a look at literary legend James Baldwin’s cinematic legacy, and a retrospective devoted to the independent trailblazer Oscar Micheaux.

Dec 13, 2022 A departure from the tales of sex and violence that defined Black cinema in the early 1970s, Michael Schultz’s beloved coming-of-age film celebrates the emotional bonds among a group of young Black men.

Nov 16, 2022 After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.

October Books

The Daily

Oct 17, 2022 Memoirs from Paul Newman and Pierre Clémenti, miscellany from Satyajit Ray and Alan Rickman, and a translation of Marguerite Duras are among this month’s highlights.

Apr 29, 2022 Channel Calendars This month on the Criterion Channel, we’re celebrating the career of one of our favorite contemporary American filmmakers—the independent, inquisitive, and ever-eclectic Richard Linklater—with a retrospective of beloved hits and lesser-known gems selected by the director himself. Take...

Feb 9, 2022 The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...

Dec 26, 2021 As the holiday season begins to wind down, we’re proud to close out another year in our online magazine by looking back at a few of our favorite essays and interviews.

Nov 22, 2021 Songbook Tootsie is a film about love and desire. Audiences are prone to forgetting this amid the controversies that have arisen around its gender-crossing conceit. Back in 1982, the film emerged as one of the decade’s prestige comedies: it was...

Going Our Way?

The Daily

Nov 5, 2021 This week heads in all directions—noir, musicals, and the avant-garde.

Sep 3, 2021 In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

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