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Valerie a týden divů|Valerie and Her Week of Wonders

Jan 14, 2018 Let’s begin with a round of interviews. In his latest “Streaming” column in the New York Times, Glenn Kenny talks with John Pierson about Split Screen, the television program that debuted on IFC back in 1997 and is now streaming...

May 26, 2026 Of all the performing arts, stand-up comedy may be the most ephemeral, even more so if the humor is considered dangerous or taboo. Stand-up relies on the charged dynamic between a comedian and an audience, with both sides often bringing...

Noir by Gaslight

Features

Oct 4, 2023 Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...

Mar 26, 2019 As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.

AFI Fest 2017

The Daily

Nov 9, 2017 This year’s AFI Fest opens tonight in Los Angeles with Dee Rees’s Mudbound and was to have closed on November 16 with Ridley Scott’s All the Money in the World—until Sony Pictures pulled it from the lineup in the wake...

Jul 17, 2019 The program of more than three hundred films includes new work by Pedro Costa, Koji Fukada, and Jeanne Balibar.

Dec 13, 2023 Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.

Jun 26, 2019 The producer of our edition of Agnès Varda’s feminist musical explores the film’s roots in the women’s movement and how the director achieved its warm, playful tone.

Jan 7, 2018 This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...

Dec 13, 2017 In today’s round, we’re looking not only at the most recent best-of-2017 lists and awards but also new additions to the National Film Registry, the Black List, and more. We begin with Film Comment, where contributors and staff have voted...

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