The Criterion Collection
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May 27, 2022 — After firing up the screen in Something Wild, Liotta secured immortality as a wiseguy in Goodfellas.
Mar 21, 2017 — A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.
Feb 19, 2026 — Though in many ways the quintessential company man, the director brought an intimate understanding of the margins of American society to the films he made for Warner Bros. in the 1930s.
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May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.
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Mar 15, 2019 — Featured in this week’s round: Edgar G. Ulmer, Stanley Kubrick, Jia Zhangke, and Guy Maddin.
May 24, 2017 — “Sofia Coppola delivers a very enjoyable southern melodrama, the tale of a handsome, badly wounded Union soldier in enemy terrain during the American civil war who throws himself on the mercy of a ladies’ seminary—of all the outrageous things.” The...
Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.
The writer, director, and actor returns to the Criterion Closet, where he shares how he and cinematographer Maceo Bishop studied documentaries like The War Room when making their new film The Smashing Machine, shouts out the singular performances in Carnal...
The singer-songwriter and visual artist talks about the punk sensibility of Jubilee, shares why Paris Is Burning is a film she can watch endlessly, and shouts out the Eurythmics’ unique soundtrack for 1984.
The beloved actor shouts out the brilliance of Marlon Brando, calls Dazed and Confused “a staple” of any good film library, and salutes the magic of Charlie Chaplin.