The Criterion Collection
Essays
Sep 17, 2001 — Jirí Menzel’s war comedy is an absurdist symphony of self-absorption and impotence.
Sep 24, 2025 — Jacques Audiard’s Paris-set drama about small-time hoodlum with musical ambitions crystallized his identity as an artist with a high degree of confidence and control.
On the Channel
Jun 22, 2023 — Our latest slate of programs dives into one of science fiction’s favorite themes, the film career of one of rock and roll’s greatest icons, and midcentury pulp from across the Atlantic.
The Daily
Mar 9, 2023 — This year’s edition retains that SXSW signature mix of boldfaced crowd-pleasers and fresh discoveries.
The Daily
Aug 12, 2019 — This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.
Features
Sep 17, 2017 — Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.
On the Channel
Dec 6, 2016 — Photo by Janet Pierson In the late eighties and early nineties, American independent film was coming into its own both artistically and commercially, and John Pierson was at the center of the movement. Once described by the New York Times...
May 30, 2014 — Did You See This?• Traveling back to Slacker’s Austin • Robert De Niro opens up about his dad. • Actor-director matches made in heaven • The fascinating saga of Bernard Natan • Adrian Martin loves Brian De Palma. • Hollywood’s...
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Sep 3, 2007 — Very few movies count as truly significant milestones in the development of American “indie” cinema during the last quarter of the twentieth century. They include Eraserhead (1977) and Return of the Secaucus Seven (1979), as early trailblazers; She’s Gotta Have...