Sep 13, 2004 — This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no struc­ture, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...

Sep 13, 2004 — Fifteen years ago I received a letter from a young film director in Texas, who enclosed a tape of his first film, with the unlikely title It’s Impossible to Learn to Plow by Reading Books. It might as well have...

Sep 13, 2004 — About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....

Sep 20, 2013 — She’s unforgettable. It’s difficult to stand out in a cast of dozens of eccentrics, weirdos, and armchair philosophers, but Teresa Taylor is one of the true MVPs of Richard Linklater’s independent breakthrough, Slacker. Identified in the credits only as ”Pap...

Sep 13, 2004 — The following piece by Sony Pictures Classics cofounder and copresident Michael Barker, who picked up Slacker for Orion Classics in 1991, originally appeared in the program for the 2001 Austin Film Society event Slacker: A Ten-Year Reunion. What I’ve found...

Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...

Jan 20, 2011 — It’s been two decades since Richard Linklater’s Slacker shook up American independent film and helped define a generation. This week, on the eve of the 2011 Sundance Film Festival, journalist Mark Savlov sat down with Linklater and writer John Pierson...

Jun 10, 2024 — Sam Fragoso gets Linklater talking about the evolution of his approach to making films from Slacker through Hit Man.

The actor talks about how Richard Linklater’s Slacker turned him on to independent cinema, praises the soundtrack for Paris, Texas, and selects a horror classic by George A. Romero.

The actor talks about studying Charlie Chaplin’s performance in City Lights, shows off his tattoos inspired by After Hours and Slacker, and selects favorite coming-of-age movies by Harmony Korine and Andrea Arnold.