The Criterion Collection
Sneak Peeks
Apr 26, 2019 — In conceiving the journey of Lonesome Rhodes—the protagonist of the 1957 satire A Face in the Crowd, a southern drifter who rises to become a national TV celebrity and political power broker—director Elia Kazan and screenwriter Budd Schulberg went on...
Jan 12, 2016 — In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.
Features
Mar 25, 2015 — Long unheralded and at last rediscovered, actor-director Robert Montgomery’s Ride the Pink Horse is one of the key Hollywood features of 1947, the year film noir flooded the screen like a ruptured reservoir of India ink. Adapted from the popular...
The Daily
Jun 11, 2026 — An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
Oct 1, 2019 — Charlie Chaplin’s sidesplitting The Circus, the last movie he made during the silent era, is a true testament to the man’s genius, not only as a comedian in front of the camera but also as a director behind it. The...
Essays
Jun 17, 2018 — The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...
The Daily
Mar 14, 2018 — From today through March 30, the Quad Cinema in New York is presenting Pacino’s Way, a decades-spanning retrospective that will build up to screenings of two films Pacino’s directed, Wilde Salomé (2011) and Salomé (2013). “From 1971 to 1976,” writes...
Interviews
Apr 27, 2010 — From left: Marlon Brando, Maureen Stapleton, Tennessee Williams, and producer Richard Shepherd, on the set of The Fugitive Kind. It was Jules Stein, head and founder of MCA, who plucked Richard Shepherd out of Stanford and made him into a real...
Features
Sep 2, 2019 — Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...