No Other Choice

Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

Aug 16, 2019 — Look back with us on the winding career of Arthur Jafa, a summer spent with Tilda Swinton, and an evening with soccer “super-fan” Agnès Varda.

Aug 14, 2019 — There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...

May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

Dec 7, 2018 — Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

May 28, 2018 — Alan Bean, one of twelve astronauts to leave their footprints on the moon, left us last weekend at the age of eighty-six.

Apr 16, 2018 — Following lineup announcements from the Cannes Film Festival and Critics’ Week, the Quinzaine des Réalisateurs, or Directors’s Fortnight has presented the slate for its fiftieth edition, running from May 9 through 19. “As per the tradition of the parallel section,”...

Apr 10, 2018 — In the run-up to the release of Zama on Friday, the Film Society of Lincoln Center in New York is presenting a retrospective of work by Lucrecia Martel. Starting tonight and on through Friday, Martel will be there to either...

Feb 23, 2018 — “Eighteen years young and still eagerly nudging audiences toward discovery, Film Comment Selects is a film series as pointed act of correction,” writes Ed Gonzalez at the top of his overview in the Village Voice of the series opening today...

Feb 6, 2018 — “A jolt of a movie, Black Panther creates wonder with great flair and feeling partly through something Hollywood rarely dreams of anymore: myth.” So begins Manohla Dargis in the New York Times. “Most big studio fantasies take you out for...