The Criterion Collection
Mar 23, 2021 — “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...
Sep 18, 2017 — The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.
Jun 17, 2014 — The brutal lessons of Vietnam remained in America’s national consciousness for a generation. September 11 gave us collective amnesia, and they’ve had to be learned again.
Dec 12, 2013 — A beloved filmmaker in India, the Bengali director Ritwik Ghatak digs into his region’s traumatic history in this epic melodrama.
Sep 29, 2003 — “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
The Daily
May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.
Aug 12, 2025 — This remarkably sensitive yet jarringly violent romance epitomizes director Youssef Chahine’s late-fifties hybrid style, which combined elements of Hollywood entertainment with an unmistakably Egyptian spirit.
Essays
Jun 24, 2025 — The product of a famously tumultuous production, William Friedkin’s nerve-jangling adaptation of the classic suspense novel The Wages of Fear infuses the mechanics of genre with rough-hewn realism and the New Hollywood’s renegade spirit.
May 13, 2025 — In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.