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If You Were Me

Aug 28, 2012 The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.

Jul 19, 2012 I want to start with my favorite story about Carole Lombard. She began her career in Hollywood in her teens and, as we know, was very attractive. She found herself hounded by the wolves of Tinseltown but came up with...

May 29, 2012 Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.

Jun 7, 2011 Performances Despite bearing his last name and a close resemblance to him—the high cheekbones, the slightly drooping lips and prominent front teeth, the piercing yet empathetic eyes—remarkably, Geraldine Chaplin has never seemed obscured by the shadow of her iconic father,...

Feb 2, 2011 This interview was published in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the Toronto International Film Festival. The photograph appears courtesy of Colleen Murphy. We met on March...

Being There

The Daily

Jul 10, 2026 We’re celebrating the Harry Dean Stanton centennial, listening to Ross McElwee and Tsai Ming-liang, and revisiting the work of Bruce Conner.

Apr 24, 2019 When It Rains Charles Burnett has long been recognized by historians as one of the greatest American film directors, and he’s won numerous important awards, including an honorary Oscar in 2017. Nevertheless, he is still relatively unknown beyond the world...

Feb 19, 2025 Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.

Jul 6, 2020 Songbook In the blue moonlight of a humid December night, an escape is underway. A man in army fatigues runs from an open-air cell with a rolled-up rug in one hand and a sword in the other, stolen from someone...

Feb 24, 2020 The German director reunites with Transit’s Paula Beer and Franz Rogowski for his Berlinale competition entry.

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