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Home Alone

Sep 29, 2021 Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.

Oct 13, 2020 I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...

Jan 7, 2014 Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.

Apr 17, 2012 Maybe it is something to do with the sensual seductiveness of cinema: as new-millennium Americans, we care nothing for Japa­nese poetry, little for Japanese painting and fiction, and certainly too much for Japanese cartoons, and yet Yasujiro Ozu, the least...

Jan 19, 2010 A Belgian in New York It was in the 1970s, the first decade of her career, that Belgian filmmaker Chantal Akerman created the works that would define her. Informed as much by her brushes with the experimental film scene in...

Sep 19, 2005 Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.

July Books

The Daily

Jul 30, 2026 Gene Tierney, Robert Kramer, Chantal Akerman, and Alfred Hitchcock are among the many personalities featured this month.

Jul 28, 2026 Seven dynamite nights with Keaton, Chaplin, Lubitsch, Ford, Murnau, Griffith, and Raoul Walsh.

Jul 22, 2026 The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.

Jul 14, 2026 In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...

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