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Greater

Undone and Remade

The Daily

Feb 23, 2024 Revivals of work by Raoul Peck and Jean-Pierre Bekolo and conversations with James Gray and Jodie Foster are among this week’s highlights.

Feb 21, 2024 Combining the influence of the wuxia genre, the Hong Kong New Wave filmmaking of the 1980s, and loony comic-book futurism, these two ass-kicking fantasias are dazzling showcases of female physicality.

Feb 20, 2024 I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Dec 13, 2023 Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.

Deeper into Ozu

Features

Dec 12, 2023 Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...

Nov 13, 2023 Chaplin, one of the world’s most beloved stars, was grateful to America—until it turned on him.

Nov 9, 2023 The subtitle of the series Yasmina Price has programmed for BAM: Cinema, Surrealism, Marxism.

Oct 19, 2023 Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Oct 17, 2023 She left the movies twice but returned to deliver memorable performances in The Hustler, Carrie, and Twin Peaks.

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