The Criterion Collection
Features
Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.
The Daily
Feb 29, 2024 — Film Forum presents two-week series featuring two dozen films, many of them screening from rare 35 mm prints.
The Daily
Feb 28, 2024 — Amanda McBaine and Jesse Moss will be in the Show Me State to discuss their companion film to the prizewinning Boys State.
The Daily
Feb 23, 2024 — Revivals of work by Raoul Peck and Jean-Pierre Bekolo and conversations with James Gray and Jodie Foster are among this week’s highlights.
Feb 21, 2024 — Combining the influence of the wuxia genre, the Hong Kong New Wave filmmaking of the 1980s, and loony comic-book futurism, these two ass-kicking fantasias are dazzling showcases of female physicality.
Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...
The Daily
Dec 13, 2023 — Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.
Features
Dec 12, 2023 — Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...
Nov 13, 2023 — Chaplin, one of the world’s most beloved stars, was grateful to America—until it turned on him.
The Daily
Nov 9, 2023 — The subtitle of the series Yasmina Price has programmed for BAM: Cinema, Surrealism, Marxism.