Der Angriff der Gegenwart auf die übrige Zeit

Dec 9, 2017 — Ruben Östlund’s The Square has swept the thirtieth round of European Film Awards in Berlin during a ceremony in which EFA president Wim Wenders issued an urgent call for the revitalization of the European project as a corrective to rising...

Nov 21, 2017 — Ernst Lubitsch’s “world is defined by time as much as place,” writes Daniel Witkin in the latest entry in Reverse Shot’s symposium on time. “Anachronistically straddling the 19th and 20th centuries, his characters embody unfashionable virtues of discretion and tact...

Nov 4, 2017 — The European Film Academy and EFA Productions have announced the nominations for the thirtieth European Film Awards, and Ruben Östlund’s The Square, winner of the Palme d’Or at Cannes this year, leads with six. The awards ceremony will take place...

Sep 26, 2017 — The sexual pedagogy of a masochistic music instructor takes center stage in this shocking study of art, control, and repression.

Sep 17, 2017 — While we’re still reeling from the loss of Harry Dean Stanton, there are others who’ve left us this past week or so we’ll want to remember.“Frank Vincent, whose tough-guy looks brought him steady work as a character actor in film...

Sep 12, 2017 — New York. Tomorrow, Light Industry presents A Straighter Kind of Hip, a lecture by Felicity D. Scott. From Friday through September 24, the Museum of the Moving Image presents Film Is Like a Battleground: Sam Fuller’s War Movies. On Thursday,...

Aug 25, 2017 — Cinephiles were shocked last month by the news that Hans Hurch, who had been the director of the Vienna International Film Festival (Viennale) since 1997, suffered heart failure in Rome, where he had been meeting with Abel Ferrara, and passed...

Aug 19, 2017 — “So about Logan Lucky: I knew in the first shot that I was going to love this movie,” Amy Taubin tells Steven Soderbergh during her interview with him for Film Comment. “I call it the three-shot rule,” says Soderbergh. “After...

Aug 9, 2017 — New York. “Though Fire Island is the movie’s very recognizable locale, it is filmed in arcadianly remote aspects of sunlight, shade and water, and narrated simply on the solemn, picturesque, stark level of myth. . . . The world as...

Jul 24, 2017 — In Issue 13 of Alphaville: Journal of Film and Screen Media, editors Loretta Goff and Caroline V. Schroeter “bring together eight articles from around the world that interrogate the representation of race, ethnicity and identity on screen.”Kenta McGrath writes about...