The Criterion Collection
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Essays
Jul 8, 1992 — Since its first screening in 1960, Jean-Luc Godard’s astonishing debut has lost none of its power to thrill an audience or change the way we see the world.
Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.
Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.
Features
Jan 25, 2021 — First Person The release of Rogue One: A Star Wars Story—the first film of the Star Wars anthology series, and a major occasion for many Star Wars fans—on December 16, 2016, was preceded by a much larger event on November...
Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...
Jun 15, 2016 — Although afflicted by on-set drama and offscreen tragedy, Jean Renoir’s La Chienne shows the director’s early mastery of sound cinema and features the trademarks that would come to define his style.
Essays
Mar 23, 2010 — If we adapt the language of horse breeders to the genealogy of films, we might write Yojimbo, by Shane out of Scarface.But while this odd coupling does suggest the most obvious hereditary traits of Akira Kurosawa’s black comedy, it fails...