The Criterion Collection
Essays
Jul 15, 1991 — For only his second studio film, Peter Bogdanovich chanced directing an adaptation of Larry McMurtry’s elegiac novel about teenagers who come of age in a dying Texas town in the early fifties.
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
The actor and author talks about wishing he could have appeared in his favorite screwball comedy, The Awful Truth; praises the harrowing brilliance of Come and See; and shares his close connection to In a Lonely Place and Taste of...
The Daily
May 9, 2025 — Voices come in pairs this week: Jia Zhangke and Zhao Tao, Daney and Rivette, Patrick Bateman and his fans.
The Daily
Jul 25, 2024 — Claude Chabrol, Bong Joon Ho, Ann Hui, Anna Cobb, and Wei Shujun are among the names that have come up this week.
The Daily
Jan 5, 2024 — Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.
The Daily
Dec 13, 2023 — Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.
The Daily
Nov 10, 2023 — Black mothers’ stories come around again, Matt Wolf probes the archives, and Lizzie Borden conjures the streets of mid-1980s New York.
Mar 22, 2022 — In Robert Aldrich’s epic disaster film, James Stewart leads a pack of temperamentally different men as they struggle to survive in the face of the unknown—a template that would go on to influence Hollywood blockbusters for decades to come.
The Daily
May 17, 2019 — Moving from the merely unsettling to the outright bloody, the Brazilian directors come down hard on their new government.