The Criterion Collection
Jun 19, 2009 — Forty-six years ago, Last Year at Marienbad opened in London. Resnais and Robbe-Grillet came over for the press screening, and I chatted to them in the lobby of the now defunct Cameo-Poly art house on London’s Upper Regent Street. Resnais...
Apr 15, 2009 — Artist Jaime Hernandez’s diabolically clever illustrations for our release of Divorce Italian Style (now available as a signed art print at the Criterion store) made for one of our most popular DVD covers. And this month, Hernandez has sent us...
Mar 30, 2009 — You can add James Franco to the list of Criterion’s most ardent fans. This month, the actor, seen left in a photo recalling My Own Private Idaho, taken by Gus Van Sant in Oregon in fall 2008, has contributed to...
Dec 30, 2008 — It’s the last day of 2008, and all the balloting is finally done. Here’s a rundown of how Criterion rated in the best DVDs of the year polls: The Sight & Sound list included Criterion’s “gripping morality tale” Death of...
Dec 15, 2008 — Flash back to September 1968. The Swedish Film Week in Sorrento, Italy, with its alfresco suppers and its excursions to Capri and Pompeii. Ingmar Bergman was expected, and he and Liv Ullmann were assigned a luxurious villa for the duration....
Nov 21, 2008 — Independent filmmaker and underground music aficionado David Markey’s films include 1991: The Year Punk Broke (1992) and the Los Angeles punk Super 8 cult classics The Slog Movie (1982), Desperate Teenage Lovedolls (1984), and its sequel Lovedolls Superstar (1986), all...
Nov 20, 2008 — Matt Dentler is the producer of the South by Southwest Film Conference & Festival, in Austin, Texas (sxsw.com), as well as a curator for American distributor Film Movement and Canadian distributor Films We Like. He also hosts the weekly local...
In the late sixties and early seventies, young, innovative, and politically radical directors took up arms against the propriety of West German society and its failing film industry.
Mar 11, 2008 — There’s no real rhyme or reason to explain which Criterion films I end up watching. For example, I saw Breathless over the holiday break after Abbey convinced me to give Godard a chance. Then I watched The Seventh Seal in...