The Spacewalker

The star of Whit Stillman’s trilogy explores his favorite films from the collection, ranging from Bob Fosse’s All That Jazz to Richard Linklater’s Dazed and Confused.

During the Norwegian filmmaker’s visit to the Criterion closet, he excitedly expounded upon his wide-ranging selections, from Paul Schrader’s Mishima: A Life in Four Chapters to the Six Moral Tales of Eric Rohmer.

The Oscar-winning director of Amy talks about how Do the Right Thing became a major influence on his work, the overwhelming tension of an infamous scene in Code Unknown, and his love of Ken Loach’s early work.

Jan 28, 2016 — The film is is a high-water mark in the careers of its director, actors, and cowriter. But for design nerds, the contributions of Pablo Ferro, who designed the film’s iconic opening credit sequence, are just as notable.

When the English director visited Criterion for a screening of his film 45 Years, he was joined by the movie’s star. And when the pair took a trip into the Criterion closet, their charming closeness was evident.

The Oscar-winning writer-director of Anora shares his father’s favorite film, pays tribute to Chantal Akerman, and looks forward to revisiting Yi Yi.

The Paris-based Argentine filmmaker selects a few films that align with his interest in cinematic provocation, including unsettling works by Shohei Imamura and Pier Paolo Pasolini

The artist, musician, and director of Heart of a Dog shouts out Guy Maddin as one of her favorite filmmakers, praises the first scene in Sunday Bloody Sunday, and can’t resist Pier Paolo Pasolini’s Trilogy of Life.

May 29, 2014 — Christopher Hobbs is a production designer whose work includes Derek Jarman’s Sebastiane (1976), Caravaggio (1986), and Edward II (1991); Terence Davies’s The Long Day Closes (1992) and The Neon Bible (1995); and Todd Haynes’s Velvet Goldmine (1998). He says that...

Jan 1, 2014 — This January 1, we present a red and black sketch to keep you guessing for the year ahead.