The Criterion Collection
Essays
Jan 13, 1992 — Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...
Essays
Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.
Essays
Apr 23, 1990 — Paying little attention to civilized rules of cinema, and with a bit more than one million dollars, Steven Soderbergh expresses all his hidden anxieties in this indie classic.
Nov 13, 2006 — There’s a store called Stew Leonard’s near where I live. When you walk in, you can see the customer service rules hanging above the entrance. It’s simple—there are only two: Rule one: The customer is always right; Rule two: When...
The actor, writer, and producer talks about being blown away by Sandra Hüller’s performance in Anatomy of a Fall, shares her attraction to the romance in Love & Basketball, and praises Mississippi Masala as being ahead of its time.
The writer and director shares his love for Monterey Pop and the way it acts as a time capsule of its era, talks about how The Worst Person in the World redefined the romantic comedy, and praises Wes Anderson’s use...
The actor shares his love for Stranger Than Paradise and Dekalog, talks about being both freaked out and deeply moved by The Tin Drum, and praises Richard E. Grant’s performance in Withnail and I as one of the best of...
The actor and producer praises the groundbreaking work of martial-arts legends Bruce Lee and Jackie Chan, shares her love for Alfonso Cuarón’s Roma, and remembers the thrill of seeing The Grifters for the first time.