The Criterion Collection
The Daily
Dec 18, 2018 — Whatever your cinephilic interest—cinematography, acting, criticism—there’ll likely be a new book to take with you into the holidays.
Essays
Dec 18, 2018 — Half a century before Julien Duvivier made his 1946 film Panique, the French social psychologist Gustave Le Bon published his influential study of mob behavior, The Crowd: A Study of the Popular Mind, in which he argued that recent upheavals in...
Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...
Dec 13, 2018 — The Berlinale will premiere new work by Angela Schanelec and Denis Côté, Rotterdam’s got an opener, and Steven Soderbergh will preview his latest at Slamdance.
Dec 11, 2018 — Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...
Dec 7, 2018 — Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...
The Daily
Nov 29, 2018 — First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.
The Daily
Nov 29, 2018 — The largest retrospective in the U.S. yet is on through mid-December.
The Daily
Nov 28, 2018 — The career of one of Italy’s greatest directors was riddled with scandal and accolades.
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.