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Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...

Jul 6, 2015 — The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....

Jul 2, 2015 — Repertory PicksAmong Dustin Hoffman’s indelible cinematic creations are The Graduate’s awkward Benjamin Braddock, Midnight Cowboy’s apoplectic Ratzo Rizzo, and Rain Man’s autistic Raymond Babbit. But nothing in this chameleon’s oeuvre compares to his Dorothy Michaels, the female alter ego invented...

Jun 29, 2015 — The most famous scene in Five Easy Pieces—and perhaps one of the most fondly recalled moments of all of the New American Cinema of the early seventies—is the diner confrontation between Jack Nicholson’s volatile Bobby Dupea and a strict waitress....

Jun 24, 2015 — PerformancesThe late character actor Michael Jeter had a profound effect on me as a child, but as with so many things, I didn’t realize it until I was an adult. Twenty-five years ago this month, I saw my first Tony...

Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.

Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

Jun 2, 2015 — Having made such urgent, ripped-from-the-headlines, international dramas as Z, The Confession, State of Siege, and Missing, it stands to reason that the Greek director Costa-Gavras is often referred to as a political filmmaker. But in this excerpt from a wide-ranging...

Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.

May 29, 2015 — A shocking chapter of Soviet Czechoslovakian history is dramatized in Costa-Gavras’s controversial follow-up to Z.