Having made such urgent, ripped-from-the-headlines, international dramas as Z, The Confession, State of Siege, and Missing, it stands to reason that the Greek director Costa-Gavras is often referred to as a political filmmaker. But in this excerpt from a wide-ranging conversation the filmmaker had with historian Peter Cowie for our recent release of State of Siege, he entertainingly explains how all films are political, and that even those whose politics are worn on their sleeves must endeavor to engage us emotionally.
Donald Richie Uncovers the Traces of a Lost Japan
In collaboration with director Lucille Carra, the renowned writer brought his impressionistic travelogue The Inland Sea—an unusual choice for a film adaptation—to the big screen.
A Palette That Sizzles On-Screen
Filmmaker Darnell Martin and writer Nelson George discuss how vividly Do the Right Thing captures the heat of a Brooklyn summer and the diverse skin tones of its cast of color.
A Genius of French Cinema Delivers a Career-Defining Performance
Raimu is at his subtle best in one of the most moving scenes in The Baker’s Wife, a moment in which the actor channels the collective despair of France’s working class.