The Criterion Collection
Feb 6, 2014 — Did You See This?• B-movie beauts • Meet “New Queer Cinema” coiner B. Ruby Rich. • Get to know your Derek Jarman. • Terry Gilliam at the movies • Alphaville and New Wave genre films • Writing by Charlie Chaplin—formal...
Sneak Peeks
Feb 6, 2014 — Who better to explain what an auteur of the cinema is than one of the originators of auteur theory? In his famous 1954 essay “A Certain Tendency in French Cinema,” published in Cahiers du cinéma five years before the release...
Feb 5, 2014 — Performances We don’t often talk about documentaries as featuring performances. But consider the highly performative people at the centers of Grey Gardens, General Idi Amin Dada, and last year’s The Act of Killing, or even the seemingly more modest souls...
Essays
Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...
Jan 31, 2014 — Tim Forbes is chairman of Forbes Digital and a former independent producer and screenwriter. He writes: “At the Brown Film Society in the early 1970s, we ran about twenty different movies a week, showing everything then available, from the lowliest...
Jan 31, 2014 — Did You See This?• Naked Lunch and other adaptations of the unadaptable • David Bordwell on the great critics of yore • The Hitchcock-Nabokov collaboration that never was • A pas de deux from Chantal Akerman and Pina Bausch •...
Features
Jan 30, 2014 — Growing up with the epically zany, star-studded comedy.
Jan 29, 2014 — Martin Scorsese is an Academy Award–winning filmmaker who has directed more than twenty features, including The Last Temptation of Christ, available from the Criterion Collection. He is the founder of the nonprofit Film Foundation and World Cinema Project, dedicated to...
Sneak Peeks
Jan 29, 2014 — Thanks to Terence Davies’s distinctive filmmaking style, The Long Day Closes doesn’t quite feel like any other motion picture. This intensely moving, ethereal reverie on a brief happy period of the director’s often sad childhood in Liverpool during the fifties...