The Next of Kin

Nov 22, 2019 — Critics are praising the French New Wave icon’s joyous and reflective final film, which hits theaters in New York this week.

May 6, 2019 — Greta Garbo, Anita Loos, Ernst Lubitsch, Ben Hecht, and Salka Viertel cross paths in this month’s round.

Aug 22, 2018 — Festivals from New York to London, from Busan to San Sebastián, are finalizing their lineups.

Apr 17, 2018 — Up at the top, that’s Behnaz Jafari and Jafar Panahi in Panahi’s 3 Faces, which is slated to premiere in Competition in Cannes next month. Film Comment points us to an interview with Panahi in the latest issue of World...

Jan 20, 2018 — “In the near-decade since Dogtooth gnawed its way into viewers’ imaginations,” begins Guy Lodge in Variety, “the words ‘Greek comedy’ have come to mean something nearly as distinct as ‘Greek tragedy’ to arthouse audiences—just not always distinct from Greek tragedy,...

Dec 4, 2017 — Last Wednesday, the Sundance Film Festival unleashed the entire features lineup for its 2018 edition, running from January 18 through 28. Today, the festival’s adding lineups for a new Indie Episodic section as well as its Shorts and Special Events...

Nov 23, 2017 — Considering how reticent David Lynch can be when it comes to talking about his work, Daniel Fienberg’s fared pretty well in his conversation with him for the Hollywood Reporter. At one point, they discuss the stamina it takes to direct...

Nov 16, 2017 — “Hong Sang-soo has a reputation for being a tricky interview, and he knows it,” writes Darren Hughes in the Notebook. But if anyone can get Hong talking, it’s Hughes. Take a look at this page. Gathered here are some of...

Oct 24, 2017 — New York. The Anthology Film Archives’ series Boxing on Film: Part 2 is on through October 31, and William Klein’s Muhammad Ali, The Greatest (1974), screening once more on Saturday, “evades fight footage and instead alights upon the press appearances...

Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...