The Criterion Collection
The Daily
Jan 2, 2018 — New York. “Starting in the mid-1960s, Michelangelo Antonioni became what the German essayist Hans Magnus Enzensberger would call a ‘tourist of the revolution,’” writes J. Hoberman in the New York Times. “Antonioni left Italy to make Blow-Up (1966) in swinging...
Aug 16, 2016 — Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.
May 22, 2012 — These five films chart the unlikely ascendance of a hero of American underground cinema.
Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...
May 22, 2006 — Barbara Kopple’s detailed analysis of a Kentucky mine workers’ strike is a virtual hub of urgent themes, formal tendencies, political debates, and material practices that define post-sixties documentary in America.
On the Channel
Jun 26, 2017 — The Pulitzer Prize–winning author of Interpreter of Maladies speaks about her deeply personal connection to Indian cinema in this Criterion Channel exclusive interview.
May 8, 2017 — Writer Durga Chew-Bose explores her personal connection to Uma Das Gupta’s quietly captivating performance as a carefree young girl in the masterful opening installment of The Apu Trilogy.
The writer and director of Blue Heron shares how John Cassavetes inspired her own approach to independent filmmaking, praises The Watermelon Woman and Not a Pretty Picture as essential works of hybrid cinema, and talks about her personal connection to...
The actor and author talks about wishing he could have appeared in his favorite screwball comedy, The Awful Truth; praises the harrowing brilliance of Come and See; and shares his close connection to In a Lonely Place and Taste of...
The legendary actor reminiscences about her collaborations with Rainer Werner Fassbinder, recalls a memorable lunch she had with John Cassavetes, and talks about her connection to films by Ingmar Bergman and Mike Leigh.