New World

Dec 15, 2017 — First up, as Kristopher Tapley reports for Variety, the Academy of Motion Picture Arts and Sciences has narrowed the list of contenders for the best foreign language film Oscar to nine: A Fantastic Woman, directed by Sebastián Lelio, ChileIn the...

Oct 17, 2017 — Paul Thomas Anderson’s next film—and very likely Daniel Day-Lewis’s last—now has a release date, Christmas Day, and its own website. In Phantom Thread, Anderson “will once again explore a distinctive milieu of the 20th century. The new movie is a...

Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...

Jul 9, 2017 — New York. “It’s Great to Be Alive may not be the nuttiest Hollywood musical of 1933—a year that brought the Marx Brothers’ Duck Soup—but it’s surely the only one to end with a production number in which the women of...

Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.

Oct 11, 2012 — On October 11, 1987, David Mamet’s first film, the diabolically tricky House of Games, made its U.S. premiere as the closing-night selection of the New York Film Festival. Mamet had already conquered the world of theater, winning a Pulitzer Prize...

Dec 13, 2011 — Just what is it that makes Seijun Suzuki’s Tokyo Drifter (1966) so different, so appealing? The cherubic hero in the neat powder blue suit, who looks like he was torn out of a yakuza pop-up book? That hauntingly cornball theme...

Nov 15, 2011 — The thematic ideas and inspirations that sparked Three Colors: Blue (1993), though typically ambitious in scope, seem sketchy when compared to the intense experience of watching this exquisite film. We know that Krzysztof Kieślowski’s Three Colors trilogy corresponds to the...

Jul 20, 2011 — Wes Anderson’s vision of New York City in The Royal Tenenbaums may be a storybook one, but, as a new short video on the A.V. Club proves, it’s all based on reality. The entertaining three-and-a-half-minute piece—made as part of the...