The Criterion Collection
Essays
Jun 10, 1996 — Ever since Quentin Tarantino’s Pulp Fiction created a sensation at [this year’s] Cannes Film Festival, where it won top honors (the Palme d’Or), it has been swathed in the wildest hyperbole. In fact, it has sparked an excitement bound to...
Essays
Dec 22, 1992 — With a script by Graham Greene, Carol Reed’s thriller plays upon the classic themes of trust, innocence, betrayal, and truth through the lens of a precocious eight-year-old.
Feb 28, 2023 — In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.
Jun 23, 2026 — The only favor I ever asked of a twink was for tickets to see John Waters introduce two of his films. I was the sole trans filmmaker enrolled in my school’s program, and I felt it was my right to...
The Daily
Jun 9, 2026 — The screenwriter, director, and novelist will take an active part in all ten screenings in a TIFF Cinematheque series.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
Apr 21, 2026 — From new titles on the silent era and Hollywood’s Golden Age to forthcoming novels and memoirs, this month offers something for every reader.
Apr 14, 2026 — Consider, for a moment, the jewel thief. No, not like the gang that, at the time of this writing, recently robbed the Louvre in Paris, France. Think rather of one you might find in Paris, Paramount. After all, as director...
Essays
Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.