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In Gefahr und größter Not bringt der Mittelweg den Tod

Nov 20, 2008 Diablo Cody is the author of Candy Girl: A Year in the Life of an Unlikely Stripper, and the Academy Award–winning screenwriter of Juno.

Nov 19, 2008 Steve Buscemi is an actor who has appeared in such films as Mystery Train, Fargo, Reservoir Dogs, and Armageddon. He also also directed such films as Trees Lounge, Animal Factory, and Interview.

Nov 19, 2008 Iranian-American writer and director Ramin Bahrani’s feature films include: Man Push Cart (2005), Chop Shop (2007), Goodbye Solo (2009), 99 Homes (2014), and Fahrenheit 451 (2018). They have won awards and acclaim all over the world, from Venice to Cannes...

Nov 19, 2008 “Wow, this assignment kicked my ass in a glorious way!” said Anders. “As with everyone before me, picking just ten Criterion classics is too daunting; so you have to find a system that allows you to play a favorite game,...

Nov 19, 2008 Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.

This patient observer of everyday life in Japan has been enormously influential among filmmakers seeking a cinema of economy and poetry.

"Life caught unawares," that's how Soviet filmmaker Dziga Vertov defined the principle and art of documentary in the thirties. Yet the documentary has taken so many forms over the past century that it is too simple to call it the...

Emerging in France during the 1930s, this movement combined working-class milieus with moody, proto-noir art direction to stylishly represent contemporary social conditions.

In the late sixties and early seventies, young, innovative, and politically radical directors took up arms against the propriety of West German society and its failing film industry.

After making his mark in the early thirties with two very different films, this French master closed out the decade with two humanistic studies of French society that routinely turn up on lists of the greatest films ever made.

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