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Girish Shambu teaches at Canisius College, in Buffalo, New York, and writes about film culture. He is the author of The New Cinephilia and the editor of Film Quarterly’s online column Quorum.

Lucy Bolton is a lecturer in film studies at Queen Mary University of London. She is the author of Film and Female Consciousness: Irigaray, Cinema and Thinking Women.

Jana Prikryl is a senior editor at the New York Review of Books. Her essays on film and photography appear in the New York Review and The Nation, and her poems have been published in the New Yorker, the London...

Imogen Sara Smith is the author of In Lonely Places: Film Noir Beyond the City and Buster Keaton: The Persistence of Comedy. Her writing has appeared in Film Comment, Sight and Sound, Cineaste, Reverse Shot, and other publications.

Emma Wilson teaches European cinema and literature at the University of Cambridge. She has written on Pedro Almodóvar’s films previously in her monographs Cinema’s Missing Children (2003) and Love, Mortality and the Moving Image (2012). Her latest book is The...

Robert Greene is a filmmaker and writer. He has directed four features, including Actress (2014) and Fake It So Real (2012). His criticism and essays have appeared in Sight & Sound and Filmmaker Magazine, among other publications.

Eric Hynes is a New York–based journalist, film critic, and curator. His writing has appeared in publications such as the New York Times, the Washington Post, Slate, Film Comment, Sight & Sound, and Reverse Shot. He is curator of film...

Charles Taylor writes about movies for the Yale Review and teaches creative writing and journalism at New York University. He is a member of the National Society of Film Critics, and his work has also appeared in the Los Angeles...

Anne E. Duggan is an associate professor of French at Wayne State University, a coeditor of Marvels & Tales: Journal of Fairy-Tale Studies, and the author of Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy.

Jim Ridley (1965–2016) wrote about movies for the Nashville Scene, an alternative newsweekly in Nashville, as well as Cinema Scope, the Village Voice, and LA Weekly.