The Criterion Collection
Joan Mellen is the author of several books about Japanese cinema, including Voices from the Japanese Cinema and The Waves at Genji’s Door as well as monographs for the BFI on Seven Samurai and In the Realm of the Senses....
Peter Brunette is Reynolds Professor of Film Studies at Wake Forest University and the author of books on Rossellini, Michelangelo Antonioni, and, most recently, the Hong Kong director Wong Kar-wai.
Michael Raine teaches Japanese cinema and other courses in the Department of East Asian Languages and Civilizations and in the Program in Cinema and Media Studies at the University of Chicago. He has published on various aspects of Japanese cinema...
Geoffrey Macnab writes on film for the Independent, Sight & Sound, the Guardian, and Screen International. He is the author of The Making of “Taxi Driver,” Key Moments in Cinema, Searching for Stars: Stardom and Screen Acting in British Cinema,...
William Paul, a professor of film and media studies at Washington University in St. Louis, is the author of Ernst Lubitsch’s American Comedy; Laughing Screaming: Modern Hollywood Horror and Comedy; and When Movies Were Theater: Architecture, Exhibition, and the Evolution...
Paul Coates is a professor emeritus of film studies at Western University, Ontario. Previously, he taught at Georgia, McGill, and Aberdeen, and his books include The Story of the Lost Reflection (1985), The Gorgon’s Gaze (1991), Lucid Dreams: The Cinema...
Howard Hampton has written for Film Comment, Artforum, and many other publications. He is the author of Born in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop Apocalypses.
Patrick McGrath is the author of three story collections and ten novels, most recently Last Days in Cleaver Square.
Christopher Faulkner is a professor of film studies and the director of the interdisciplinary Cultural Mediations Ph.D. program at Carleton University, Ottawa, Canada. He is the author of The Social Cinema of Jean Renoir and, with Olivier Curchod, La Règle...
Michael Wood teaches English and comparative literature at Princeton University. He is the author of America in the Movies and a study of Luis Buñuel’s Belle de jour. His most recent book is Marcel Proust (Oxford University Press, 2023).