Two Eyes

Oct 16, 2019 — Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...

Oct 15, 2019 — After breaking through in Medium Cool, Forster floundered until Quentin Tarantino plucked him from undeserved obscurity nearly thirty years later.

Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...

Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.

Oct 2, 2019 — Armando Iannucci’s The Personal History of David Copperfield opens this year’s bounteous edition.

Oct 2, 2019 — Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.

Sep 20, 2019 — In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...

Sep 19, 2019 — Reteaming with Pedro Almodóvar, the Spanish star delivers a performance all the more powerful for its restraint.

Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...

Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.