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He's All That

Jan 12, 2010 8½: a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, 8½ surely goes beyond any predecessor...

Apr 2, 2009 Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...

Mar 16, 2009 This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.

Feb 4, 2025 The director has put together a series of films that have inspired his Nosferatu.

Jan 20, 2018 “Twenty years ago,” begins Variety’s Peter Debruge, “Robin Williams approached director Gus Van Sant about developing irreverent Portland cartoonist John Callahan’s memoir, Don’t Worry, He Won’t Get Far on Foot, with the intention of playing its author—a quadriplegic skirt-chaser, wheelchair...

Jul 2, 2026 This week’s roundup ranges from sad goodbyes to a silent comedy, from Hitchcock to Barker, and from video art to a cult TV series.

Nobler in the Mind

The Daily

Apr 17, 2026 So many Hamlets! Plus Radley Metzger, Marco Bellocchio, and Tilda Swinton and Orbital.

Nov 14, 2025 This week: Buñuel revivals, the Rock Hudson centenary, and Mishima’s Japanese premiere.

Look at the Truth

The Daily

Jun 7, 2024 Standouts this week include conversations with Bridgett M. Davis and Nan Goldin and essays on Nobuhiko Obayashi and Paul Schrader.

Mar 7, 2024 The Austin festival presents action-heavy Headliners, creepy Midnighters, and promising Competition contenders.

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