Away

Nov 21, 2022 — Straub and his life and filmmaking partner Danièle Huillet have been described as “cinema’s conscience.”

Nov 16, 2022 — Fifty new and recent restorations will screen at the Museum’s first-ever festival of preservation.

Nov 16, 2022 — After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.

Nov 15, 2022 — An ongoing series spotlights films by women directors made in eastern Europe during the Soviet era.

Nov 15, 2022 — A box-office success that buoyed Hong Kong’s beleaguered movie industry in the early 2000s, this suite of crime films combines narrative intricacy and moral complexity with an abundance of megastar charisma.

Nov 11, 2022 — This week we’re celebrating Scorsese, rediscovering Noriaki Tsuchimoto, and doing a little close reading with Frederick Wiseman.

Nov 10, 2022 — Film Forum presents a survey featuring work by Edward Yang and Hou Hsiao-hsien as well as Second Wavers Ang Lee and Tsai Ming-liang.

Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.

Nov 1, 2022 — A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.