Jun 30, 2014 The filmmaker’s recollections of the great producer.

Jun 27, 2014 The American war in Vietnam was officially divided into two halves: the military war and “the other war: the war to win the hearts and minds of the people,” which gives Peter Davis’s 1974 documentary its title. Whereas the aim...

Jun 27, 2014 Did You See This?• The enduring appeal of Charlie Chaplin • Ellen Burstyn, queen of Marvin Gardens • Growing up with Richard Linklater • When Steven Soderbergh talked to Gordon Willis • The Terrence Malick–Andrew Wyeth connection • Meet Mr....

Jun 26, 2014 “These are ten films that tickle me in the right places,” says Academy Award–nominated production designer K. K. Barrett, who’s helped visualize the worlds of such films as Being John Malkovich, Lost in Translation, Where the Wild Things Are, and...

Jun 25, 2014 Only a small fraction of the footage Peter Davis shot for Hearts and Minds made it into his 112-minute Academy Award­–winning documentary on the Vietnam War. Davis and his crew filmed hundreds of hours in the United States, Vietnam, and...

Jun 25, 2014 Hearts and Minds is the classic antiwar documentary film of the Vietnam era. It was released in 1974, one year after the United States withdrew its military forces from Vietnam and a year before North Vietnamese and National Liberation Front...

Jun 25, 2014 You can hear from John, Paul, George, and Ringo themselves in In Their Own Voices, a piece on Criterion’s new special edition of A Hard Day’s Night consisting of audio recordings of the Beatles talking about the movie during their...

Jun 24, 2014 One of the most important contributions Peter Davis’s Hearts and Minds makes to our national dialogue on the Vietnam War is its portrayal of ordinary Vietnamese. For years, the Vietnamese had been conspicuous by their absence in American film and...

Jun 24, 2014 In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.

Jun 23, 2014 The mysteries of Picnic at Hanging Rock live on, even for the director himself. In this excerpt from a 2003 interview on our new special edition of the film, Peter Weir reminisces about how the project first came to him...

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