The Criterion Collection
Barry Day is a Noël Coward scholar and the author of Coward on Film: The Cinema of Noël Coward.
Georgina Evans lectures on European cinema at the University of Cambridge in England.
Chuck Klosterman is the author of Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota (2001), Sex, Drugs, and Cocoa Puffs (2003), Killing Yourself to Live: 85 Percent of a True Story (2005), Chuck Klosterman IV (2006), Downtown...
Ti West is the writer and director of 2009’s The House of the Devil, among other critically acclaimed films. His latest, The Innkeepers, will be released in early 2012.
Paul Mayersberg started as a film critic, worked as an assistant to Jean-Pierre Melville, Joseph Losey, and Roger Corman, and became the screenwriter of The Man Who Fell to Earth, Merry Christmas Mr. Lawrence, Eureka, and Croupier. He is the...
Greil Marcus is the author of Lipstick Traces, The Shape of Things to Come, and The Manchurian Candidate in the BFI Film Classics series. With Werner Sollors, he is the editor of A New Literary History of America (Harvard, 2009)....
Haskell Wexler is the two-time Academy Award–winning cinematographer behind Who’s Afraid of Virginia Woolf and Bound for Glory. The 1969 film Medium Cool, which he wrote, directed, and shot, was selected for preservation by the Library of Congress in 2003.
Haden Guest is the director of the Harvard Film Archive and a senior lecturer in film, art, and visual studies at the university.
Noah Isenberg is the author, most recently, of Detour, the editor of Weimar Cinema, and is currently finishing a critical biography of Edgar G. Ulmer for the University of California Press. He directs the Screen Studies program at Eugene Lang...
B. Ruby Rich is professor emerita at the University of California, Santa Cruz, and the former editor in chief of the journal Film Quarterly. She is the author of New Queer Cinema: The Director’s Cut (2013) and Chick Flicks: Theories...