Hi!

Apr 4, 2013 — 1. Director Robert Bresson originally titled his screenplay Aide-toi . . ., a reference to the French expression “Aide-toi et le ciel t’aidera” (“Heaven helps those who help themselves”). He ultimately decided instead to use the title Devigny’s journalistic account of his...

Apr 4, 2013 — Repertory PicksSince last fall, Janus Films’ traveling series The Films of Pierre Etaix has been introducing American moviegoers to an amazing, until now woefully overlooked, cinematic genius. This week, the retrospective hits the Denver Film Society, starting tomorrow and running...

Apr 3, 2013 — A new documentary profile of a great raconteur, titled André Gregory: Before and After Dinner and directed by Cindy Kleine, opens today at New York’s Film Forum. In it, Gregory delves into his past, including his fraught relationship with his...

Mar 28, 2013 — Repertory PicksAs part of its retrospective And God Created Jean-Louis Trintignant, the Pacific Film Archive in Berkeley is showing a 35 mm print of Eric Rohmer’s marvelous character study My Night at Maud’s on March 29. One of Rohmer’s effortlessly...

Mar 27, 2013 — You can’t talk about Robert Bresson for long before his use of sound comes up. His stripped-down masterpieces are memorable for the way they engage the ear as well as the eye. A Man Escaped, out this week on Blu-ray...

Mar 25, 2013 — Robert Bresson’s prison-break story is a tale of religious faith and a work of striking purity.

Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.

Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.

Mar 14, 2013 — Ministry of Fear, now available for the first time on DVD and Blu-ray in the U.S., was the eighth film Fritz Lang made in Hollywood after emigrating from Germany in 1936. It was also, as author Joe McElhaney (The Death...

Mar 13, 2013 — The slimiest movie monster of them all is part of—and perfects—a great tradition of unstoppable outer-space invaders.