The Criterion Collection
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Oct 3, 2019 — The director reunites with writer Jonathan Raymond and cinematographer Christopher Blauvelt for a quiet tale set in the Oregon Territory of the 1820s.
Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...
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Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.
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Sep 19, 2019 — Reteaming with Pedro Almodóvar, the Spanish star delivers a performance all the more powerful for its restraint.
Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...
Sep 12, 2019 — A new web resource spearheaded by Su Friedrich celebrates women editors from around the world, highlighting work that has long been obscured by the masculinism of auteurist film culture.
Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.
Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.
Aug 27, 2019 — In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...