Not One Less

Aug 18, 2010 — Before Marcel Camus’ Black Orpheus showed up on American and European screens in 1959, what would later be known as the “art film” came in only a few shades of glum: Bergmanesque existentialism, Japanese samurai tragedy, stories of Italian peasant...

Jun 8, 2009 — As I write this, it has been a year and a half since Ingmar Bergman passed away—and I miss him daily. I miss his imagination and the comfort he gave, both personally and through his films. I got to know...

Sep 18, 2006 — Released in 1973, in the dying days of General Franco’s forty-year dictatorship, The Spirit of the Beehive soon established itself as the consummate masterpiece of Spanish cinema. Yet, strangely, many of the gifted artists who collaborated on Víctor Erice’s first...

Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.

Jan 13, 1992 — Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...

Jul 2, 2024 — Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.

Jan 19, 2018 — Two marvels of midcentury social commentary now streaming on the Criterion Channel show how progress can be a one-step-forward, two-steps-backward process.

Jun 8, 2026 — Asia Society presents a seven-film retrospective in New York from Thursday through Sunday.

May 7, 2025 — An absorbing fifty-three-minute meditation on a massive construction project opens in New York on May 14.

Oct 25, 2024 — An underseen gem of the Czechoslovak New Wave and an ambitious history of Hindi cinema are among this week’s highlights.