The Criterion Collection
On the Channel
Dec 1, 2021 — Celebrate the holidays with our 21-film Alfred Hitchcock retrospective and a series dedicated to collaborations between female directors and cinematographers.
Nov 16, 2021 — Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.
Oct 22, 2021 — Deep Dives People of color have often been erased from the history of queer life, but against the odds they have managed to leave behind important documents of their communities’ survival, including underappreciated films that remain to be discovered by...
Aug 30, 2021 — An electrifying voice in American independent cinema, the filmmaker, artist, and DJ Ephraim Asili believes that moving images can revolutionize our perception of the world. His body of work attests to this conviction. Since he began making films more than...
Essays
Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.
Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.
The Daily
Jun 17, 2021 — On our minds this week: Lizzie Borden, Jenni Olson, Dorothy Arzner, Marguerite Duras, Jacques Rivette, and female detectives on television.
The Daily
Jun 15, 2021 — The publisher is launching Erika Balsom’s book on James Benning’s 2004 film and preparing a beautiful hardcover supplement to Apichatpong Weerasethakul’s Memoria.
Features
Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...
The Daily
May 28, 2021 — This week: Anarchy on screen, a pre-Code barroom brawl, an essay on Julie Dash, and conversations with Jia Zhangke and Sergei Loznitsa.