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As Testemunhas

Mar 20, 2012 As revealing as Chris Hegedus and D. A. Pennebaker’s The War Room is, there was even more happening behind the scenes of Bill Clinton’s 1992 election campaign that it doesn’t show. For instance, what was really going on with those...

Mar 20, 2012 Even more than with most documentaries that set out to record events as they happen, there was a lot of luck involved in producing The War Room (1993). When they turned their attention to Bill Clinton’s presidential campaign in 1992,...

Mar 19, 2012 Some people have called us “film school in a box,” but this is the real deal. The essential film school introductory textbook, David Bordwell and Kristin Thompson’s Film Art: An Introduction, is coming out in its tenth edition in the summer,...

Mar 16, 2012 One Scene 1973 Ford Pinto with Tanguy Sky (“3 Women”) 2011 | oil on canvas | 40 x 60 inches Robert Altman’s 3 Women is a surrealistic and unsettling study in identity theft, where personalities intertwine and unravel amid the desolation of the American...

Mar 13, 2012 In the becalmed atmosphere of today’s Hollywood, it’s hard to imagine the tumult that greeted The Last Temptation of Christ when it was released in 1988. Brilliantly directed by Martin Scorsese, this adaptation of Nikos Kazantzakis’s imaginative retelling of the...

Mar 9, 2012 The cinematographer tells us how he and Louis Malle went about shooting Vanya on 42nd Street in a decrepit Manhattan theater.

In the span of a mere sixteen years, this German wunderkind made an astonishing forty-four movies that run the gamut from melodramas to period pieces to science fiction.

Mar 1, 2012 Louis Malle’s God’s Country is a remarkable account of one hamlet in the heartland of the United States—Glencoe, Minnesota—as seen first in 1979 and then again in 1985. Malle was fascinated by what he saw as a very American brand...

Feb 28, 2012 The Swedish actor Erland Josephson died this week at age eighty-eight. We can think of no better tribute to the great actor (known especially for his commanding and playful performances in such films by Ingmar Bergman as Cries and Whispers,...

Feb 28, 2012 In the long history of stage-to-screen translations, there’s never been anything quite like Louis Malle’s Vanya on 42nd Street (1994), an astonishing hybrid blurring the boundaries between theater and film, rehearsal and performance, actor and character. The production began in...

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