As revealing as Chris Hegedus and D. A. Pennebaker’s The War Room is, there was even more happening behind the scenes of Bill Clinton’s 1992 election campaign that it doesn’t show. For instance, what was really going on with those unlikeliest of bedfellows, James Carville and Mary Matalin, Democratic and Republican political consultants, respectively, and romantic partners? In their 2008 sequel, Return of the War Room, available as a supplement on Criterion’s special edition of The War Room, Hegedus and Pennebaker got the two to open up about how it felt to be on opposite sides of a presidential campaign.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.