The Criterion Collection
Sep 27, 2013 — Did You See This?• Baby making • Chronicle of an unsung documentarian • The Pope loves Fellini! • Los Angeles replays itself. • At home with Antonio Monda • David Bordwell catches up with Wong Kar-wai. • A new look...
Sneak Peeks
Sep 26, 2013 — It was on the set of Stromboli that director Roberto Rossellini and star Ingrid Bergman, collaborating on their first film, fell in love. In these rarely seen 8 mm color home movies, shot with Bergman’s own camera (most of it...
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
Sneak Peeks
Sep 24, 2013 — By the time Roberto Rossellini joined forces with the international superstar Ingrid Bergman in the late 1940s, he had already left an indelible mark on the history of film with his groundbreaking works of neorealism, including Rome Open City, Paisan,...
Sep 23, 2013 — The neorealist master and the Hollywood icon forged a brilliant artistic path together, despite the backlash their controversial romance generated.
Sneak Peeks
Sep 19, 2013 — In a new interview on our release of Ingmar Bergman’s Autumn Sonata, the great Liv Ullmann delves into the making of the intense chamber drama, discussing what it was like to work with both the director and the legendary Ingrid...
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...
Short Takes
Sep 17, 2013 — The author sheds some light on the fascinating life of the American scriptwriter behind Roberto Rossellini’s Paisan.
Sep 16, 2013 — Ingmar Bergman plumbs the depths of a fractured family and gives Ingrid Bergman a shocking star role.
Short Takes
Sep 11, 2013 — When Samuel Fuller’s elegantly pulpy Shock Corridor premiered on September 11, 1963, surely few would have predicted we’d look back on it as a benchmark of American cinema. But this intense film—about a Pulitzer Prize–seeking journalist who goes undercover in...