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The Work

Apr 12, 2016 Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”

Oct 26, 2015 Known to most of the world as the labyrinthine inspiration for Stephen King’s novel The Shining (which was of course the basis for Stanley Kubrick’s iconic 1980 adaptation), the Stanley Hotel in Estes Park, Colorado, is about to get a...

Mar 28, 2014 By the time he made The Freshman in 1925, Harold Lloyd was already a superstar. His comedies, which combined jaw-dropping derring-do with loveable characters, were routinely among their years’ top box-office attractions. When Lloyd announced he was working on a...

Aug 28, 2012 The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.

Oct 19, 2010 The themes, symbolism, and aesthetic forms of Akira Kurosawa’s films owe their origins to the ideas and sensibilities that captured his imagination as a young man.

Jan 25, 2010 Unlike the more aesthetically and intellectually conceived French New Wave, Italian neorealism was above all an ethical initiative—a way of saying that people were important, occasioned by a war that made many of them voiceless, faceless, and nameless victims. But...

Jul 3, 2009 It’s often said that there’s never been a movie quite like Alain Resnais’ Last Year at Marienbad. But in paying tribute to this French New Wave landmark on the occasion of its release in Criterion DVD and Blu-ray editions, some...

Jun 30, 2009 Quick, how many directors can you name who have pulled a 320-ton steamship over a mountain? Yes, that megalomaniacal masterpiece Fitzcarraldo is just further proof that Werner Herzog stands alone in the annals of filmmaking. And though this tireless artist...

May 3, 2009 Though primarily a celebration of the best of today’s world cinema, the Cannes Film Festival has for some time now also been making room for the past, with its sidebar Cannes Classics. A program of restored and rediscovered films, Cannes...

Jul 9, 2007 Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.

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